He’s either very, very lucky, or he’s got the career durability of a grown-up Max Fischer. But somehow Schwartzman remains beloved, or at least non-loathed. Club recently described the show as “ The Long Goodbye for the McSweeney’s generation,” which is the literary equivalent of passing out torches and pitchforks to villagers and pointing towards the old mill. Created and written by quirky novelist Jonathan Ames, Schwartzman plays a quirky novelist named-wait for it-Jonathan Ames.
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And then there’s Bored To Death, his HBO series already well into its second season (it airs Sundays at 10:00 p.m.). When he walks into Brooklyn bars, people cheer. The World, both of which bombed at the box office. He co-starred in movies like Funny People and Scott Pilgrim vs. He’s been in two indie-pop bands, one of which provided the theme song to a Mischa Barton TV show. He’s hawked iPad Apps for the New Yorker. If you’ve followed Schwartzman’s career lately, it’s like he’s been double-dog daring his fanbase to reconsider their adoration.
Everybody in Hollywood loses their coolness cred eventually.
Schwartzman has thus far managed to elude a backlash, which is kind of amazing for a guy who got his start as the Macaulay Culkin of cult indie movies. But Michael Cera doesn’t deserve to be hated either, and his backlash is still going strong. Which isn’t to suggest that he deserves to be hated. One of the most remarkable things about Jason Schwartzman is that audiences don’t hate him yet.
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